Amitabh Bachchan, Dharmendra, Hema Malini, Jaya Bhaduri, Sanjeev Kumar, Amjad Khan
A retired police officer Thakur Baldev Singh gets two convicts, Jaidev and Veeru, to capture Gabbar Singh a bandit chief who has been terrorizing the small village of Ramgarh. Gabbar had massacred Thakur’s entire family and even had his arms cut off Unable to take revenge himself Thakur Baldev Singh recruits Veeru and Jaidev both small time crooks. Both agree to capture Gabbar Singh live and hand him over to Baldev Singh. Things do not go as planned Veeru falls for the local horse carriage driver Basanti; and Jai starts to have romantic feelings for Baldev Singh’s widowed daughter-in-law, Radha. To make matters worse, Gabbar has sworn to kill both Jai and Veeru, and holds Basanti as a hostage, to lure them to him. But Jaidev and Veeru was so clever that no bandit could out with the two.
Kunal Roy, Priyanka Yadav, Om Puri
PANGA NAA LO is a story of the two families – Kartar Singh alias Kakkee [Om Puri] and Karsanbhai Shah alias Karsan [Satish Shah] – who have been living in adjacent bungalows since the past 25 years. Karsan and Kakkee are inseparable friends. They mostly meet for drinks and ‘snakes’ [snacks] at a pub they have been frequenting ever since their college days. The owner of this pub, Gonsalves [Viju Khote], also happens to be their buddy and over the years, the three have developed a wonderful bond of friendship.
Rajpal Yadav, Kadar Khan, Monica Castelino
Every night when we go home and switch on the new channel, we find headlines full of violence, atrocities and we wonder how this world keeps moving in spite of so much of multi layered bias which is actually the root cause of all this. YEH MERA INDIA” is an attempt to explore the real stories behind these headlines. These stories deal with racial bias, communal bias, caste bias, gender bias, lingual bias and immigrant bias that plaque the today’s society and the outcome is startling, it is the human ability to redeem him at any given moment which reveals that behind every bad news there is good news. It is a story of one day in the life of 12 people from different strata of MUMBAI city which is a melting pot of cultures. They all start the day with a goal in mind but surprisingly end up achieving exactly the opposite, giving it a feel of Greek tragedy of futile human efforts in front of the inevitable destiny. But in “YEH MERA INDIA” it is more of a reversal of fortune from bad to good than from good to bad.
When things start going wrong in a synthetic bio-weapons laboratory in Washington DC, various international organizations become players in a global cloak and dagger game.
The White house and CIA in the USA, P.M.’s office in India, environmentalists, terrorist organizations and various others converge and become part of global hunt – some inadvertently and some intentionally.
Starting in the 12th Century AD at the Chidambaram temple complex in South India, the film is a roller-coaster ride across time and continents. The master storyteller in an intriguing screenplay weaves the chaos theory and multiple chain of events into one cohesive, thrilling narrative. Spinning the story of Dashavtar is as difficult and arduous a task as explaining the 10 different characters played by Dr. Kamal Haasan; yet another one-of-a kind-attempt in world cinema by the thespian.
A film that is bound to set a new benchmark in cinematic excellence and in box-office.
Akira Takarda re
It was directed by Ryuhei Kitamura and produced by Shogo Tomiyama. As a 50th anniversary celebratory film, a large group of actors from previous Godzilla films, both classic and new, made appearances as main characters or cameo appearances. This goes for the kaiju (monsters) as well, as most of the monsters in the film had been missing from the screen for more than thirty years.
Synopsis : Giant monsters are rampaging in cities across the globe, and as the Earth Defense Force struggles to find a way to defeat the malicious mutants, their only hope lies frozen in the Antarctic in Versus director Ryuhei Kitamura futuristic entry into the long-running kaiju series. In the near future, Earth is being decimated by monsters that have been mysteriously unleashed in every major city from New York to Sydney, and as the world population falls into a paralyzing state of panic, the Earth Defense Force must stage a daring initiative to save the human race. After a giant unidentified flying object suddenly appears and vaporizes the beasts in a matter of seconds, the relieved citizens of Earth are comforted to hear that the newly arrived alien race is seeking to make a peace treaty with humankind. All is not as it seems, however, and as the nefarious aliens reveal their true nature, it’s up to Godzilla to take back the planet — or die trying.
The blockbuster ‘Chandramukhi’ of Superstar Rajinkanth created many records at the box office. The film produced by actor Prabhu set the record for being the longest running film in Tamil. The critically acclaimed colossal hit, ‘Chandramukhi’ has won several awards all over. Chandramukhi is the story of Senthil (Prabhu) and Ganga (Jyothika), who marry against the wishes of their extended family. The members of the family are miffed with Senthil and his mother fears for the newlyweds’ safety when they move into a mansion, next-doors to their cousin. Strange incidents start occurring as soon as they move into their new house. Some think these are the doings of the ’ghost’ of a former occupant, Chandramukhi. Ganga starts behaving strangely and Senthil calls upon his friend, a psychiatrist, Dr. Sarvanan (Rajnikanth) for help. How Dr. Sarvanan investigates the mystery and is he able to ‘cure’ Ganga, forms the riveting and thrilling part of the rest of this rocking musical entertainer.
VCD 24 SET,
& DVD 12 SET
Chanakya alias Kautilya was one of the greatest teachers the world has ever known.
A master strategist, astute statesman, a shrewd political administrator, he was also well versed in the Vedas. A man of action, he was an uncrowned kingmaker who held the reigns of the Magadha Empire and looked upon the emperor more as a student than as a master.
Chanakya’s style of administration was based on persuasion, enticement, dissension and punishment. According to him, the ultimate objective of every statesman ought to be the betterment of the State, as a result of war, and not merely the defeat and destruction of the enemy.
Chanakya led a simple, austere life and shunned pomp and pageantry of high position. After redeeming his pledge and on accomplishing his purpose, he retired to a life of contemplation and contentment.
His two major works are the Arthashastra and the Neetishastra. The Arthashastra lays the rules of governance and gives a detailed account of the state of affairs and polity. The Neetishastra speaks more of morals, principles and observance of austerity in all walks of life.
His works are such that they have withstood the test of time and shall have a place of their own for generations to come.